TIDAL Sunray is beeing reviewed in AUDIO ART Magazine
"The speaker most close to real"
TIDAL's almost 10 years young flagship "Sunray" is still, or even especially because of that, good enough to get the highest of all praise in a review of Audio Art Magazine Taiwan.
The Sunray was tested in 20 different aspects and was getting in each aspect the highest possible rating and therefore received the top notch ranking of all 100 of 100 points, "top of the tops".
The whole review is being translated soon, here are some highlights:
The rigidity of the matrix enclosure is beyond imagination... / ...low frequency adjustments provide substantial aid... / ...most stunning bass performance... / ...unrivalled piano lower notes... / ...music is full of vitality... / ...the stage is palpable like life... / ...a loudspeaker that comes closest to live performances!
TIDAL Contriva is being reviewed in Stereo Sound Magazine Japan
"My best hobby is TIDAL"
The conclusion in short words is:
"Rich sound fascinates you, the sound is open and wide. Spectacular performance."
The whole review will be translated soon.
TIDAL at the TAA Audio Show in Taiwan
TIDAL's exclusive importer, Avent Garden Records, premiered at the TAA show the Piano Diacera, Impulse power amps and Presencio preamp a classical analog chain, driven by a SPJ turntable. It was voted from most visitors as the most musical and realistic sounding systems, "Best Sound of Show".
Other than playing all the time the same boring "audiophile" music pieces everybody does demo's with, Avent Garden Records demonstrated an extremly wide range of different kind of music styles to focus on what this is all about.
Jörn Janczak visited afterwards the new dealers and welcomed them to the TIDAL family personally.
Audio Fest 2012 – Confessions of a Part-Time Audiophile.com
"This is “I’m done” gear. No more fussing. No more arguing. No more questioning. Done. This is smug, smack the Internet trolls in the face and chortle all the way, done. Finished.
The sound in this room, to me, was clearly the best at the show.
It wasn’t even close. Other rooms had different approaches, and featured different balances of the things I cherish. But for overall elegance, grace, charm and a natural effortlessness that is, literally, shocking when you first enter the room, this was it. Skadoosh."
Please feel free to read the whole report about the Contriva Diacera:
And about the Piano Diacera:
Audio Fest 2012 – Stereophile
"There, in a system featuring TIDAL Contriva Diacera SE speakers driven by TIDAL Impulse solid-state amplifiers, a TIDAL Preos full-function preamp via Argento Flow and Flowmaster Reference cables, with source an Aurender S-10 music server and a dCS Debussy DAC. I heard a presentation more in line with what I expect from a high-end audio system: an even balance from the deep lows to the top audio octave, with a stable, well-defined soundstage, a tonal and spatial coloration-free view into the recording.
Nina Simone was in the room with me, wrenching the pathos from “Nobody.” José Carreras came in to sing Misa Criola. Mel Tormé joined us. This is what I am talking about! No tweaks, no audiophile craziness, just the music, as big and deep and wide as the performers intended it to be." - John Atkinson, STEREOPHILE
Audio Fest 2012 – ENJOY THE MUSIC.COM
"I like to pretend that my first stop, after my visit from the heretofore absent-from-my-life Lotto Fairy, will be to Doug White of "The Voice That Is" to check out the latest and greatest from TIDAL loudspeakers. In the meantime, while I sit and wait for Godot, I got a taste of what my future (never hurts to dream) holds, here at Capital Audiofest. Doug had two rooms here, both showing TIDAL speakers.
In the more expensive of the two, Doug was showing off his personal pair of Contriva Diacera SE speakers in a magnificent custom veneer. These pair speakers were actually the first and second off the line – as you can see from the engraved silver plaques mounted just over their rear-facing ports. Nice touch. The finish is something of a one-off, a super-dramatic custom-stained version of the standard-finish African pyramid mahogany.
As Doug tells it, this finish took about six months of finishing and fussing over before TIDAL designer Jörn Janczak was happy with it – and once complete, said he'd never do again. Doug says he's never going to sell these, and quite frankly, he'd be nuts to do so. Interestingly, these speakers also predate the move TIDAL made to all-black Accuton drivers.
Anyway, these speakers were not only shockingly beautiful; they put out the most glamorous sound at the show."
TIDAL did exhibit at the HIGH END show 2012 in Munich and premiered the TIDAL Agoria
"One of the first really big systems I heard on day one was in the TIDAL/Argento room. Whilst the quality was apparent, it wasn’t really hanging together, but by the final day that had all changed. In fact, this was the best-sounding system I heard using a large conventional speaker system. Once it hit its stride, this system sounded open, delicate and incredibly transparent.
The booming, disjointed bass that marred so many rooms was notably absent -- possibly as a result of the extra control achieved through biamping the speakers -- and all the more remarkable given the paired 11" woofers and three ABRs in each cabinet. Talking of cabinets, the Agoria uses a new material -- TIRALIT -- for its enclosure, and the absence of cabinet sound coupled to an extraordinarily low noise floor suggests that TIDAL are on to something here."
HIGH END show 2012 in Munich – TIDAL’s Watershed Moment: The Agoria Loudspeaker
"There are watershed moments that can mark a shift in a company's direction. Certainly, when TIDAL Audio of Germany introduced their Sunray loudspeaker back in 2003, that product informed TIDAL's offerings for almost a decade. But time and technology march on, and yesterday's flagship is, well, yesterday's news. The brand-new TIDAL Agoria might just signal the next watershed moment in TIDAL's relatively short history of competing in the Age of the Superspeaker.
The release of the 450-pound, three-way floorstanding Agoria represents a number of evolutionary advancements in TIDAL's loudspeaker technology. Jörn Janczak, chief everything at TIDAL, was quite excited about its development. He shared a number of observations with me, and I could clearly sense his enthusiasm for the capabilities of this speaker: "When you see this more-than-200kg beauty, all its little details, these super-expensive drivers and so on, I hope you will see this is a very serious statement from us when it comes to superspeakers."
..... The highest-value-for-money speaker in the TIDAL line has oft been said to be the Contriva Diacera. I asked Janczak to tell me how the Agoria betters it, to which he replied:
"If better means even closer to the signal than the Contriva Diacera, then, yes, it is [better]. It plays deeper, has more dynamic headroom and higher resolution; it simply changes the signal even less than a Contriva Diacera.
But these two models do not compete with each other since the sheer size (40cm-plus height) and weight (almost twice as much) is in a whole different class. Therefore, it can sonically cover way bigger rooms than the Contriva Diacera."
Janczak's last statement convinced me that the Agoria represents an exciting next step for TIDAL, and perhaps will lead them to even greater accomplishments -- impressive stuff from this relatively young audio company. "One can easily recognize this speaker as a TIDAL speaker, but it also gives a hint of what one can expect from us in the coming years," he said.
All audiophile eyes -- and ears -- should be fixed on TIDAL."
HIGH END show 2012 in Munich
"TIDAL loudspeaker designer Jörn Janczak had given me advance notice of his newest loudspeaker in the Agoria, well before the Munich show, but I was still caught off guard over this tall and handsome transducer. The Agoria looks like a cross between TIDAL's top -of-the-line Sunrays and Contriva Diacera, sports two 11" side-firing woofers and three 11" sub-bass drivers -one rear firing. Of the seven speakers Janczak makes, this he says " ...is the first speaker with a cabinet made out of TIRALIT™, an all exclusive TIDAL cabinet material, which combines ultimate stiffness and resonance control.
This wasn't the first time I heard TIDAL through their own electronics but I think this was a first for me in terms of this quality of sound. Using their own Impulse amplifiers and Presencio preamp, but also an Aurender music server from Widealab of Korea and Argento Flowmaster series cables, AC cords and connectors, I immediately fell for the sweetness of strings and voices coupled to a level of dynamics I had not experienced here in Munich."
Jorn Janczak from TIDAL debuted his gorgeously built Agoria loudspeakers and electronics that included their new Impulse Reference dual mono amplifiers, the Preos-D Preamplifier with MC-phono and the Presencio 3 stack balanced Reference preamplifier (with a fully regulated power supply).
In many ways, the Agoria looks like a smaller version of their statement Sunray loudspeakers.
In terms of performance, I found them stunning. Particularly in their ability to provide a three dimensional soundstage here at a trade show no less. The stage was as wide as it was deep with wonderful contrasts of dynamics.
"Previous year TIDAL impressed in Munich with the enormous Sunray/T1 system, not only to me, also many other visitors. In Milan on the Audio Video Show TIDAL also ranked for me as one of the very best with their smaller systems. The Agoria does play the model placed below the Sunray and T1 and thus the second largest system of TIDAL.
The Agoria is certainly not a small boy with a height of approx. 1.70m and a weight of 205 kg. Per piece. Also this year, TIDAL made the best out of the available space with acoustic adjustments... TIDAL scores again this year for me with one of the best sets of this show. "