"... I have to say, first of all, that the TIDAL equipment was radically beautiful to see, and a smokin' knockout to hear! What workmanship in both domains…a real reference standard for how things should be.
Sonically, the sheer scale and dynamics of the music in this room was bloody extraordinary. The electronics might have been new to North America, but the effect was "Audio Oasis! Award material" all the way. The sound was effortless, fluid, natural, organic, and had the sort of transparency that I associate with only the finest sort of designs that I've encountered on this planet. Detail without edginess; dynamics without loss of control; full-frequency-range presentation without humps or valleys."
THE ABSOLUTE SOUND
"Like all Tidals, the G2 was very delicate, quick, and unusually spacious sounding, with pinpoint imaging. An extremely neutral, transparent, full-range loudspeaker with excellent bass extension and no added port bump, it sounded terrific on flamenco guitar and voice."
"The system generated an gigantic soundfield. Unlike some systems, the soundstage was not artificially elevated, but nevertheless retained pinpoint imaging and sweet high frequencies. Bass was fast and taunt, avoiding both bloating and muddying up the lower midrange, resulting in superb clarity. Stravinsky’s Firebird Suite was awe inspiring, scaling well with no sense of strain. Though over-orchestrated, Nat King Cole’s When I Fall in Love demonstrated life-like male vocals with no hint of sibilance."