"The gorgeous-to-behold three-way Tidal Akiras (which use a 5” diamond midrange driver—the largest diaphragm made out of diamond that Accuton builds), driven by Tidal electronics, were also wonderful in (alas) a relatively rare all-digital room.
Dark and rich in timbre with superb power range weight and color, sweet treble, and outstanding transient response, the Akiras sounded exceptionally beautiful, exciting, and high in resolution. They always do." (J. Valin, The Absolute Sound)
"I’ve said before that that the Tidal line — the entire line (they sell electronics as well as speakers) — are not for the faint of heart and wallet. There’s absolutely no apology being made for their expense. This is the Rolls Royce of high-end audio, the Jaeger LeCoultre of watchmaking. Is there better? Is there more expensive? If you’re buying at this level, you know that these aren’t the questions that matter. At this level, it’s more about fit — that is, does this fit you? Because whatever else there is, that “else” just isn’t Tidal.
Take the finish. It’s … beyond. You can see that I’m slipping into the poetic here; but the point is, that’s the point. It’s really hard to just say “the fit and finish is taken to the highest level” and have that actually convey how truly elevated these products look.
This isn’t what you’d find in Donald Trump’s office. You need elegance and class for stuff like this. I’m thinking more Blofeld. Or maybe Hannibal Lector. There’s a latent sense of menace lurking in this gear, and one that isn’t easily dispelled. No, for that, you have to turn it on and then turn it up. But that’s the problem, see. Because then, you are undone. And as your brain begins to happily melt, you’ll forgive the weapon of your destruction. Because you are only human. And weak. And as you end, you’ll weep softly in joy, knowing that this was meant for Gods..." (S. Hull, Parttimeaudiophile.com)
AUDIO OASIS AWARD:
"The TIDAL system consisted of the Presencio triple stack of electronics, consisting of the Linedeck, the Phonodeck, and the Powerdeck components, a pair of Impulse monoblocks, and a pair of the Agoria loudspeakers. It's an absolutely brilliant synergy, startling in its transparency, detail, and effortless dynamics.
Once again I heard the seamlessness of the 1.2" diamond tweeter, the ceramic mids, and the side-firing woofers... and once again I was powerfully moved by the magic of TIDAL. A definite Audio Oasis! Award here."
(Dr. D. Robinson, Positive Feedback online)
"Ya gotta love the depth and breadth of the TIDAL product portfolio and the results that can be realized. There is something to be said for system synergy and voicing from the same manufacturer. I found myself staying longer than I had planned and then returning when I had a few spare minutes before closing."
(R. Youman, Positive Feedback Online)
"In terms of raw sex appeal, an early winner from AXPONA featured a full set of electronics and loudspeakers from TIDAL Audio out of Germany. Pools of liquid ink have been captured and somehow suspended in semi-solid forms; casework with glittering chrome, and speakers that seem so dark that they pull at your eyes .... wow." "... the presentation and overall immersion was true and truly lovely."
(S. Hull, Parttimeaudiophile.com)
" ...If I awarded a prize for most beautiful sound of the show, this system would surely have won. Absolutely lovely, delicate, dark, smooth, and relaxed on Cassandra Wilson, The Nylons, The Fairfield Four-on everything, in fact-the Tidals also managed incredible resolution of detail, and this when sourced by a digital front end!"
(J. Valin, The Absolute Sound)
"What did I hear? I’ll cut to the chase — this room was my first vote for Best-In-Show. Bass was d-e-e-e-e-p, in exactly that kind of way you want a good sub to sound, natural without discontinuity. Detail retrieval was (as expected) among some of the very best-in-class, without feeling sterile or brittle. Backgrounds matched the finish on the speakers, which is to say, blacker-than-black.
Overall, the sound was delicate and bombastic, by turns. Brian was playing some tracks from Channel Classics and Chandos while I was there, and I’m pretty sure he said there were dynamic swings of close to 30dB. If so, I believe it. Walking around, distracted by taking pictures, I nearly jumped out of my skin several times."
(Scott Hull, Parttimeaudiophile.com)
"Which is to say, “Best I’ve Ever Seen” (and yes, that includes some infamously expensive loudspeakers coming out of England). There’s this expansive depth to the finish which is startling. I’m not a fan of “glossy”, but this isn’t. This is liquid. As in, “still wet”. Touching it is more than a little obscene... So, putting aside thoughts of affordability (and ruthlessly squashing wild ideas about raiding college funds), I sat down to let the sound wash me away... So, when I say I was gobsmacked, do take that familiarity into consideration. This was incredibly heady stuff. Ethereal … delicate … insightful. And then, on a dime, wildly bombastic. This is why we get into audio, folks. Right here. This is a reference for Absolute Sound."
(Scott Hull, Parttimeaudiophile.com)
“First of all, that the TIDAL equipment was radically beautiful to see, and a smokin' knockout to hear' What workmanship in both domains ... a real reference standard for how things should be. Sonically, the sheer scale and dynamics of the music in this room was bloody extraordinary. The electronics might have been new to North America, but the effect was "Audio Oasis ! Award material" all the way. The sound was effortless, fluid, natural, organic, and had the sort of transparency that I associate with only the finest sort of designs that l've encountered on this planet Detail without edginess; dynamics without loss of control; full-frequency-range presentation without humps or valleys.” (Dr. David Robinson, Positiv Feedback Online)
"Of course, this being Munich, the Vox Olympians were far from the only extravagant speaker system on show. After getting everybody all excited last year by announcing a diamond-midrange speaker, only to deflate that expectation by showing it sat in a display case, TIDAL redeemed themselves this time around with not one but two speaker models using the driver.
The system playing was the "more affordable" of the two, the Akira, featuring just one of the exotic 5" drivers per channel, naturally paired with a 1.2" diamond tweeter. The midrange driver itself is similar in design to a massive tweeter, driven by a circumferential voice coil with an annular-ring motor structure that is specifically designed to avoid rear reflection.
That’s an expensive setup, even if it’s still comparatively modest by Vox Olympian standards. But musically speaking, the performance didn’t disappoint. Utterly seamless, it was fluid, unforced, expressive and finely nuanced. Intricate and delicate when necessary, it was also capable of remarkable power and sudden dynamic shifts when necessary. Subtle musical shadings and textures were explicit without being exaggerated, and the Akira made a powerful argument for its exotic driver technology.
Once again, TIDAL were one of the few companies that showed a traditional big-box, wide-bandwidth system and made it work. Once again it got better as the show went on, but past experience made sure I went back on Sunday and sure enough, the resulting musical coherence and astonishingly lucid performance were more than worth the wait.
For those who find the Akira disturbingly affordable for a serious high-end speaker, there’s always the "If you have to ask" La Assoluta, with its twin-diamond-midrange driver array, a speaker that’s actually taller than its designer, Jörn Janczak -- and that’s saying something!" (Roy Gregory, Theaudiobeat.com)
"The presentation of the TIDAL Audio Akira loudspeaker was unique at High End 2015 in being fronted by an all-TIDAL system: amps, DAC, preamp -- you name it, TIDAL produces it. The advantage was that TIDAL founder Jörn Janczak could get exactly the sound he wanted, because he controlled all the variables (well, he hadn’t built the room, but he had exhibited in it before, and knows its acoustics). The sound was TIDAL’s best yet at a High End show: clear, open, ultraprecise, never harsh.
The Akira lifted a veil from the TIDAL sound, which at High End has always been at least very good. For instance, I felt that cymbal crashes were true to life, without the whitish splash that many speakers produce. Another hallmark of the design was the perfect blend of the five drivers’ outputs, with no hint that disparate drive-units were handling different parts of the audioband.
Imaging? Superb: a Norah Jones and Willie Nelson track produced accurately formed images on a wall-to-wall soundstage. That track also made clear that the Akiras were tonally neutral, reproducing these singers’ distinctive voices without wavering. And their room-energizing bass showed that the Akiras had real dynamic punch when that was needed. My takeaway: TIDAL’s best speaker yet, and by no small margin." (Jeff Fritz, Soundstageultra.com)
"The TIDAL Akira multiway has a passive radiator array on back that is user adjustable to suit your room and a 5" diamond mid/woofer with 7mm excursion (a joint project of TIDAL and Accuton). This single midrange driver crosses over from the active woofers at 150Hz and covers the entire range up to 6kHz, where it passes the baton to the diamond tweeter.
In other words, it is very nearly a single driver speaker. And it has the purity of same. Very fast, very delicate, very clear on tubular bells, percussion, and wood blocks with just the slightest bit of diamond tweet glare on the very top, but also with simply extraordinary timbre and resolution in the mids. An outstanding floorstander." (Jonathan Valin, The Absolute Sound)
"Master speaker builder Jörn Janczak of TIDAL loudspeakers was among the first persons I had met when I came first came to Munich back in 2003 (the last show held in Franfurt before moving to Munich in 2004). Since that time Janczak has literally turned this show on its proverbial ear. Whether showing off his newest series of electronics or those magnificently finished loudspeakers (top photo), he's always got a trick up his sleeves that leaves me stuck in deep admiration. Debuting at this year's show was Janczak's most auspicious project to date: the nearly 8' ft tall La Assoluta. Sporting two of the world's only Accuton diamond midrange drivers, Janczak seemed quite proud of this latest design.
Noticing the I'll never be able to afford a speaker at that price look on my face, Janczak pointed to a far less expensive alternative in his newly introduced Akira loudspeaker. Sporting the same diamond midrange as its bigger brother and strapped to an all-TIDAL system, the sound was every bit as good as I expected from Janczak: bold, inviting and dimensional. In fact, I would want to place a little emphasis on dimensional since I think that's what separates the TIDAL loudspeaker brand from all the rest."(Clement Perry)
"Take the Assoluta, for example. This loudspeaker is (current) the pinnacle of his art, and it looks it. It’s also priced like it, but while €500k is nowhere near the most expensive loudspeaker available at High End, it was one of two where the attention to detail that caught my eye reached a level that made my brain start sweating. Oh, my, that TIDAL finish is simply out-of-this-world. I really have never seen anything like it. “TIDAL piano black” is to “piano black” as a black hole is to empty space. I could feel it sucking at my soul as soon as I stepped into the room.
I visited and revisited this room several times throughout the weekend, watching and listening as the great Akira broke in. And yes, I mean that – the magnificent 5” driver had all of 10 hours on it before the show opened to the press on Thursday! Not auspicious, but despite that, the incredible transparency TIDAL is known for was very much on display. And then some. Holy guacamole, this is a monster speaker.
I should note that TIDAL has never been one for bloated bass, so it’s probably not surprising that the bass was coherent and remarkably textured — that is, it didn’t necessarily get swallowed by the room, nor did it appear to flex the walls. A standing double-bass was just that — made of rare woods, professionally lacquered, lovingly polished Wednesday past with “the good stuff”, and yes, that G-string could probably use a replacement. Did I mention the sound was transparent? Hmm." (P. Karavakis, Theaudiotraveller.com)
"Since its born the German brand was focused on building complex and big loudspeakers and the elegant Akira confirmed the TIDAL tradition. What that really hit us was TIDAL amplification with Presencio LS preamplifier, Camira DAC and Assoluta Monobloc.
The sound of this system leaved nothing to the fantasy, all was present in front of our eyes: not voices but singers, not sounds but instruments."