May 2012


HIGH END show 2012 in Munich – TIDAL’s Watershed Moment: The Agoria Loudspeaker

"There are watershed moments that can mark a shift in a company's direction. Certainly, when TIDAL Audio of Germany introduced their Sunray loudspeaker back in 2003, that product informed TIDAL's offerings for almost a decade. But time and technology march on, and yesterday's flagship is, well, yesterday's news. The brand-new TIDAL Agoria might just signal the next watershed moment in TIDAL's relatively short history of competing in the Age of the Superspeaker.

The release of the 450-pound, three-way floorstanding Agoria represents a number of evolutionary advancements in TIDAL's loudspeaker technology. Jörn Janczak, chief everything at TIDAL, was quite excited about its development. He shared a number of observations with me, and I could clearly sense his enthusiasm for the capabilities of this speaker: "When you see this more-than-200kg beauty, all its little details, these super-expensive drivers and so on, I hope you will see this is a very serious statement from us when it comes to superspeakers."

..... The highest-value-for-money speaker in the TIDAL line has oft been said to be the Contriva Diacera. I asked Janczak to tell me how the Agoria betters it, to which he replied:
"If better means even closer to the signal than the Contriva Diacera, then, yes, it is [better]. It plays deeper, has more dynamic headroom and higher resolution; it simply changes the signal even less than a Contriva Diacera.

But these two models do not compete with each other since the sheer size (40cm-plus height) and weight (almost twice as much) is in a whole different class. Therefore, it can sonically cover way bigger rooms than the Contriva Diacera."

Janczak's last statement convinced me that the Agoria represents an exciting next step for TIDAL, and perhaps will lead them to even greater accomplishments -- impressive stuff from this relatively young audio company. "One can easily recognize this speaker as a TIDAL speaker, but it also gives a hint of what one can expect from us in the coming years," he said. 
All audiophile eyes -- and ears -- should be fixed on TIDAL."

May 2012


HIGH END show 2012 in Munich

"TIDAL loudspeaker designer Jörn Janczak had given me advance notice of his newest loudspeaker in the Agoria, well before the Munich show, but I was still caught off guard over this tall and handsome transducer. The Agoria looks like a cross between TIDAL's top -of-the-line Sunrays and Contriva Diacera, sports two 11" side-firing woofers and three 11" sub-bass drivers -one rear firing. Of the seven speakers Janczak makes, this he says " ...is the first speaker with a cabinet made out of TIRALIT™, an all exclusive TIDAL cabinet material, which combines ultimate stiffness and resonance control.

This wasn't the first time I heard TIDAL through their own electronics but I think this was a first for me in terms of this quality of sound. Using their own Impulse amplifiers and Presencio preamp, but also an Aurender music server from Widealab of Korea and Argento Flowmaster series cables, AC cords and connectors, I immediately fell for the sweetness of strings and voices coupled to a level of dynamics I had not experienced here in Munich."

Jorn Janczak from TIDAL debuted his gorgeously built Agoria loudspeakers and electronics that included their new Impulse Reference dual mono amplifiers, the Preos-D Preamplifier with MC-phono and the Presencio 3 stack balanced Reference preamplifier (with a fully regulated power supply).
In many ways, the Agoria looks like a smaller version of their statement Sunray loudspeakers. 
In terms of performance, I found them stunning. Particularly in their ability to provide a three dimensional soundstage here at a trade show no less. The stage was as wide as it was deep with wonderful contrasts of dynamics.

May 2012


Audioreview.nl

"Previous year TIDAL impressed in Munich with the enormous Sunray/T1 system, not only to me, also many other visitors. In Milan on the Audio Video Show TIDAL also ranked for me as one of the very best with their smaller systems. The Agoria does play the model placed below the Sunray and T1 and thus the second largest system of TIDAL.

The Agoria is certainly not a small boy with a height of approx. 1.70m and a weight of 205 kg. Per piece. Also this year, TIDAL made the best out of the available space with acoustic adjustments... TIDAL scores again this year for me with one of the best sets of this show. "

April 2012


Confessions of a Part-Time Audiophile.com

"I like the look. Very elegant. And the sound? What is the sound of one hand clapping? Yeah, I dunno either. So try this - extremely linear, with neither warmth nor leanness. Just pure, raw, speed. Not much to go on, is it? Hence, the koan. I struggled with this for a while, but all I heard was whatever we put into them. 

Got warm, lush, music? The Sunray will give you warm and lush. Got bright, harsh music? The Sunray will give that to you, too. Got the most amazingly well-recorded, super-dynamic, large-scale, power-hungry tour-de-force on disc? Well, guess what. The Sunray is going to light it up like you’ve never heard it before.

"No one is ever going to accuse TIDAL Audio of making audio products for the masses. Their line, their entire line, is all about luxury. Top shelf luxury, at that. The level of fitment, the finish, the quality … it all oozes out of these products in a gentle cloud of ease and refinement. 
You’ll “ooh” and “ahh” when you get too close to their raw magnetic appeal. It’s inevitable. I wish I could afford this kind of gear. It’s nice to know that the manufacturers that offer products in this class aren’t just insane or trying to pull the wool over your eyes. TIDAL, at least, obviously cares - about everything. Every little bit or bob was thought about, and quality was always selected for. It’s reassuring. It’s comforting, even if it’s out of reach of most of us. But when that Lotto Fairy comes calling, I know who’s getting the first call." 

Please feel free to read the whole text, if you like, here: http://parttimeaudiophile.com/2012/04/09/a-visit-to-the-voice-that-is/There’s a lot going on here. Me? I’m (now) a huge fan of Accuton drivers, but here, they’re only part of the story. Give some respect where it’s due - the diamond Diacera tweeters are simply out of this world. No etch, no grain, no whatever-might-be-code-for-bad. Its all good. 
Vocals on the Sunray are pretty much perfect and as good as I’ve ever heard on a loudspeaker. Fully immersive 3-D sound stage? Check. Pinpoint imaging? Pardon me while I choke out a laugh - yes, yes, yes. These are freaky-good speakers. I think the Sunray ranks with the very best transducers ever made...

 

...And all built to that same ludicrously high level of detail and finish that you’d expect and didn’t know you really cared about. This is like passing over a Rolex in favor of a Patek-Philippe. If you have no idea what I’m talking about, no worries, just move along."

"No one is ever going to accuse TIDAL Audio of making audio products for the masses. Their line, their entire line, is all about luxury. Top shelf luxury, at that. The level of fitment, the finish, the quality … it all oozes out of these products in a gentle cloud of ease and refinement. 
You’ll “ooh” and “ahh” when you get too close to their raw magnetic appeal. It’s inevitable. I wish I could afford this kind of gear. It’s nice to know that the manufacturers that offer products in this class aren’t just insane or trying to pull the wool over your eyes. TIDAL, at least, obviously cares - about everything. Every little bit or bob was thought about, and quality was always selected for. It’s reassuring. It’s comforting, even if it’s out of reach of most of us. But when that Lotto Fairy comes calling, I know who’s getting the first call." 

Please feel free to read the whole text, if you like, here: http://parttimeaudiophile.com/2012/04/09/a-visit-to-the-voice-that-is/

March 2012


TIDAL Contriva Diacera SE at the AXPONA Audio Show

"Audio Power Labs: they must be selling some of them or gotten a capital infusion because their demo equipment keeps getting better and better with each show... TIDAL Contriva Diacera SE loudspeakers, which I would give my right arm and then some to own. Frighteningly good sound."

The sound in this room, then, was pretty and remarkable. Bass wasn’t the deepest I’d heard at AXPONA (that was the Martin Logan room), but it was tight and fast. In fact, everything was tight and fast. And luscious. Imaging was spot on, detail was there when it was there (if that makes sense), and air was extensive and enveloping. I do love that TIDAL sound. Mmm, mmm.
Great room, great sound and one that I was happy to return to over and over again during my too-brief stay. Well done."

 

"Runners up for "Best":

Although Misty Ellis' atmospherically lit room was a challenge to photograph, the sound this company from Columbus, OH put together from a big-bucks system headed by the Audio Power Labs 833TNT 200W transformer-coupled monoblocks, TIDAL Audio Contriva Diacera SE floorstanding speakers and Laufer Teknik The Memory Player 64 was as tantalizing and satisfying as its visuals.

On my second visit, I was won over. An unfamiliar track, Richard Bona's "Reverence" from the album Cameroon, sounded superb. Then we turned to one of my trusty reference standbys. With the room as dark as it was, yours truly inadvertently pulled out the second disc of the two-disc Mahler set, which begins with the third movement of the five-movement symphony. Once over my surprise at hearing the wrong movement, I settled in to listen to the entire thing. It was that enjoyable. ...this system did so much so well that it earns a deserved place on my AXPONA Top 4 list."

AVGUIDE: 
"In concert with Laufer Teknik’s The Memory Player 64 driving TIDAL Contriva Diacera SE speakers the sonics were airy, quick, with a pleasant warmth factor. In spite of the massive scale of the amps, ponderous was not part of this system’s finesse-fueled vocabulary.Confessions of a Part-Time Audiophile:
"I’ve heard various TIDAL speakers over the last year or so and I have to say, they’re on The List Of Things To Get When I Become Rich Enough To Afford Them. Actually, from that lineup, the Sunrays take top billing on that list.

January 2012


BEST SOUND OF CES 2012

"....No matter how good or expensive this or any amplifier is, they all require a source to play from, and a good pair of loudspeakers to show off their remarkable harmonic prowess. I think they came very close to achieving this goal with the speakers they chose for this event. The TIDAL Piano Cera's are not cheap though they reside nearer the smallest and least expensive of what the company builds.

That said, I have visited their facility in the city of Cologne, Germany. It was here where I found its designer Jörn Janczak, used the same expensive parts internally as in their top-of-the-line $150k Sunrays. 
To me, that means a lot in terms of what one should come to expect from TIDAL and their least expensive pair of loudspeakers. 

As a result, I find the Piano Cera's to be among the most neutral sounding - yet full-bodied - loudspeakers to grace my listening space and as a result have officially used them as a reference in their price class (and am certain they perform way beyond their asking price)."

"The Constellation Audio value-oriented Performance components paired with the TIDAL Contriva Diacera loudspeakers reproduced some of the most sublime music at the show."

"Constellation Audio introduced its new “budget” line of electronics in the company of TIDAL’s gorgeous three-way, ceramic-and-diamond driver Contriva Diacera, and made the best sound I’ve ever heard from a TIDAL loudspeaker. ... dynamics and resolution of detail were simply superb."

November 2011


Review of the TIDAL Sunray

"An assault on the state of the speaker art that honors the music."

...A more relevant face-off for admirers of the TIDAL sound is between the Sunrays and the Contriva Diacera SEs, which I reviewed more than a year ago. 

I expected that the Sunrays would be more accomplished than their smaller, less expensive brethren, owing to the ambition of their design, their sheer size and their driver complement, but their performance was significantly better in every way. 
They sounded bigger, more transparent (especially through the midrange), and wider in bandwidth...

 

They also revealed more about each piece of equipment in front of them, but unlike speakers that are ruthless in the way they expose such variation, the Sunrays always sounded composed, always made deeply involving music.... 
...After spending months with the Sunrays, I get it. These are uniquely revealing and musical speakers whose spatial characteristics and tonal sophistication befit their stature and unusual design. 
More than enjoying the Sunrays, I valued them as an alternative to so many big, expensive speakers whose promise goes unrealized for one reason or another.

(You can find the whole review at > SPEAKERS > SUNRAY > SPECIFICATIONS)

October 2011


Park Aveny HighEnd Show in Göteborg

The TIDAL Sunray was one of the 'headliner' at this years Park Aveny High End Show in Göteborg. It was displayed fully active with 2 x Burmester 911 power amps, TIDAL Preos preamplifier and the TIDAL LPX active crossover.

"...What struck me first was, this is a sublime sculpture, big yes but still elegant and fit'n finish to die for. Extreeeemly good looking.

"The sound was very good and sophisticated, I think there is some time to get used to these speakers, beacuse you can't tell were the sound came from, it's just there....
I understand more now what you mean about these speakers or music messenger. 

Especially the bass were like nothing else. Spread all ower the room with very litle bass-modes. The soundstage was big and pointing out the musicians thruthfully in shape and hight. (without any oversizing)."
Another setup was the TIDAL Contriva Diacera, all driven by Accuphase electronics.

October 2011


TIDAL was exhibiting at the Rocky Mountain Audio Festival: Piano Cera, Preos & Impact

Stereotimes.com:
One of the Best Sounding rooms at this year's event goes to the TIDAL Piano Cera loudspeakers, Presos preamp and Impact amplifier. Digital playback was by way of a dCS Puccini/UClock combo and the overall sonic effect was refined, smooth and ultra-musical. In a word: EASY. 
I've grown a strong affection for these Piano Ceras over the years and now have a pair under review (stay tuned). 
My time spent has only deepened my respect for TIDAL products and its designer Jorn Janczak.

Link to article & video

6moons.com

TIDAL was showing their budget speakers, the TIDAL Piano Cera powered by TIDAL solid-state electronics. Front end was a laptop computer playing into a dCS Paganini DAC. 

I noted that the system was well composed on even the most complex and dynamic musical peaks. There was plenty of refinement too.

September 2011


Review of the TIDAL Piano Cera in the German magazin “Hifi-Stars”

...The Piano Cera is not only a very musical loudspeaker, but the same time also an instrument to judge the quality of the recording itself. This means, if the musical content and expression itself is alright, then the TIDAL's will transport this to 100%, without hiding the flaws of the record.

... I lost myself in descriptions of music, even if this review is supposed to be about a loudspeaker, why is that? Well, this is the biggest compliment I can give any loudspeaker. It is all about the fun of music, and not only about "locating the triangle at tact 37, two meters behind the timpany-guy in perfect timing every second beat". And exactly for that is the Piano Cera the right musical instrument!

Don't forget: you can hear all details and for sure the mentioned triangle we talked about, you can locate it even to the millimeter, but the physical presence of the speaker itself is completely invisible and does stand completely behind the musical interpretation - this is the big strength of the TIDAL's. 

Conclusion
The owner of the Piano Cera will in most cases close the chapter "loudspeaker", because with its flexible room adaption for almost all rooms - whether small or bigger ones - this transducer let speak the music itself.

Dr. Frank Lechtenberg, Hifi-Stars